New Tretyakov Gallery в городе Moscow, Krymsky Val st., 10. Рейтинг 9.45 на основе 285 отзывов. Посмотрите все интересные места города Moscow на RUSSPASS. Подробная информация: описание, фотографии, отзывы, карта проезда, часы работы и похожие места.

New Tretyakov Gallery, Moscow - адрес, часы работы, расписание и отзывы на RUSSPASS

Интересные факты и полное погружение в атмосферу места

Ваш персональный аудиогид

Pay for purchases with bonuses

Bonus catalog

Try changing the search parameters

Nothing was found

Get the offer

Try to change the request or its parameters

Nothing has been found

New Tretyakov Gallery

Exhibitions

Ernst Neizvestny: 100th Anniversary Exhibition

Yakimanka

15 luchshih virtualnyh turov po muzeyam Rossii

Chemu ne uchat v shkole

Moscow

<p>The decision to build a new building of the Tretyakov Gallery was made in 1956 in honor of the museum's 100th anniversary. The project was conceived as a continuation of the ensemble of Neskuchny Garden and Gorky Park and was realized only by 1983. The four-storey building has an elongated shape along the bank of the Moskva River, and the area of its exhibition spaces is more than 12 thousand square meters. The permanent exposition occupies the upper level: 37 halls contain the largest collection of Russian art of the XX century. The other floors host temporary exhibitions, lectures and conferences, while the first floor is also home to a creative workshop, a souvenir store, a café and a tour desk.</p>

Novaya Tretyakovka stala domom dlya unikalnoy kollekcii iskusstva XX-XXI vekov, kotoraya ohvatyvaet klyuchevye etapy razvitiya rossiyskoy i sovetskoy hudozhestvennoy tradicii. 
Pozhaluy, samym izvestnym i obsuzhdaemym eksponatom Novoy Tretyakovki yavlyaetsya «Chernyy kvadrat» Kazimira Malevicha. Eta kartina byla sozdana v pik razvitiya russkogo avangardizma i stala manifestom suprematizma. Eto napravlenie, kotoroe osnoval sam Kazimir Malevich, stremilos osvobodit iskusstvo ot privyazki k predmetnomu miru. Na pervyy vzglyad, polotno kazhetsya prostym: chernyy kvadrat na belom fone. Odnako za etoy lakonichnostyu skryvaetsya glubokaya filosofiya. Hudozhnik utverzhdal, chto «Chernyy kvadrat» -- eto nulevaya tochka iskusstva, simvol absolyutnoy svobody tvorchestva, gde forma i cvet sushchestvuyut sami po sebe bez neobhodimosti izobrazhat realnost. Polotno zanimaet osoboe mesto v Novoy Tretyakovke, ono simvoliziruet razryv s akademicheskimi kanonami zhivopisi i smelost eksperimenta.
Yunosha, sidyashchiy na spine krasnogo konya, vedet ego v vodu. Eshche odin znakovyy eksponat muzeya. Kartina Kuzmy Petrova-Vodkina «Kupanie krasnogo konya» byla sozdana nakanune burnyh istoricheskih sobytiy i stala simvolom predchuvstviya peremen i novoy epohi. Kompoziciya porazhaet monumentalnostyu i neobychnoy cvetovoy palitroy. Yarkiy cvet zhivotnogo kontrastiruet s prohladnymi tonami vody i neba, chto sozdaet oshchushchenie vnutrenney sily i dinamiki. Kuzma Petrov-Vodkin vdohnovlyalsya tradiciyami ikonopisi, chto proyavilos v strogoy kompozicii i simvolizme obraza konya, kotoryy v russkoy kulture chasto associiruetsya s moshchyu i svobodoy. Kartina zanimaet centralnoe mesto v ekspozicii, kotoraya posvyashchena dorevolyucionnomu iskusstvu. 
V odno vremya s Kazimirom Malevichem i Kuzmoy Petrovym-Vodkinym takzhe zhil i rabotal Vasiliy Kandinskiy. On schital, chto iskusstvo dolzhno byt podobno muzykalnoy kompozicii i vyzyvat emocii bez privyazki k konkretnym obrazam. Kartina «Moskva I», kotoraya hranitsya v Novoy Tretyakovke, polnostyu otrazhaet idei hudozhnika i sluzhit illyustraciey perehoda ego tvorchestva k abstrakcionizmu. Eto polotno peredaet vpechatleniya Vasiliya Kandinskogo ot arhitektury, ritma i atmosfery goroda. Nesmotrya na razmytye formy, v nih legko ugadyvayutsya ochertaniya moskovskih kupolov, ulic i gorodskoy suety. Oni peredany cherez yarkie kraski i dinamichnye linii. Cveta nasyshchennye, krasnye, zheltye i sinie ottenki sozdayut oshchushchenie pulsiruyushchey energii goroda.
Stolicu v svoem tvorchestve pokazal i Yuriy Pimenov -- hudozhnik, kotoryy rabotal v napravlenii socrealizma, propitannogo optimizmom rannih sovetskih godov. Na polotne «Novaya Moskva» izobrazhen solnechnyy den. Molodaya zhenshchina za rulem avtomobilya edet po ozhivlennoy ulice, ona okruzhena novymi zdaniyami i transportom. Kompoziciya napolnena svetom i dvizheniem. Goluboe nebo, svetlye fasady i krasnye flagi sozdayut oshchushchenie prazdnika. Moskva predstaet kak simvol novoy, industrialnoy epohi. Zhenshchina za rulem -- redkiy dlya togo vremeni obraz, on simvoliziruet emansipaciyu i aktivnuyu rol cheloveka v stroitelstve socializma.
Vydayushchimsya obrazcom vtoroy poloviny XX veka mozhno nazvat «Gorizont» raboty Erika Bulatova. Soc-art ironicheski pereosmyslival socrealizm i ego vizualnuyu kulturu. Na kartine izobrazheno morskoe poberezhe s liniey gorizonta, kotoraya perecherknuta krasnoy polosoy, pohozhey na ordenskuyu lentu. Erik Bulatov ispolzuet kontrast mezhdu realistichnym izobrazheniem peyzazha i abstraktnostyu. Liniya gorizonta vystupaet kak zona konflikta mezhdu nastoyashchim i vymyshlennym, kak tochka soprikosnoveniya raznyh realnostey.
Novaya Tretyakovka takzhe igraet vazhnuyu rol v populyarizacii sovremennogo iskusstva. Ona ne tolko sohranyaet nasledie, no i stimuliruet dialog mezhdu proshlym i nastoyashchim, pozvolyaya posetitelyam ponyat, kak razvivalas hudozhestvennaya mysl v Rossii i mire.  Galereya stremitsya byt ploshchadkoy dlya aktualnyh tvorcheskih poiskov, aktivno podderzhivaet sovremennyh hudozhnikov. Installyacii, performansy i multimediynye proekty, predstavlennye v muzee, chasto zatragivayut ostrye socialnye i filosofskie temy, takie kak identichnost, globalizaciya i vliyanie tehnologiy na obshchestvo. Vystavki soprovozhdayutsya obrazovatelnymi programmami, lekciyami i diskussiyami, kotorye pomogayut zritelyam glubzhe ponyat kontekst i znachenie etih rabot. Novaya Tretyakovka stremitsya ne tolko sohranyat nasledie, no i stimulirovat dialog mezhdu proshlym i nastoyashchim, delaya sovremennoe iskusstvo dostupnym i ponyatnym shirokoy auditorii.

Quiet Weekend

Entry is possible no later than an hour before the museum closes. The ticket office closes one hour before the museum closes.


New Tretyakov Gallery

Included in the route

Articles in the Journal

Reviews